a mix of black and white

Black Cab Sessions

February 12th, 2009 @ 8:07 pm by gray

Craft has been said to be the art of doing more with less. Part of the appeal of famous adaptationalists like MacGyver and The Swiss Family Robinson is how they take everyday objects and minimal materials and create sophisticated solutions through inventiveness and a deep command of basic principles. So it should perhaps not be such a delightful surprise that the Black Cab Sessions reconnect with a primal experience of musical performance, stripped down as they are to musicians stuffed in the back of London’s famous cabs and making the most of a limited space. Yet within that basic premise – “One song, one take, one cab” – some truly wonderful, understated experiences develop.

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Clay Shirky: Gin, Television, and Social Surplus

May 16th, 2008 @ 10:23 pm by gray

Clay Shirky, previously featured here for his book Here Comes Everybody, has provoked a lot of interest through another proposition. Adapted from a conference talk related to Web 2.0, Shirky knit together a surprising combination of elements identified in the title:

Gin, Television, and Social Surplus

His first contention is that television sitcoms served the same sociological midwifery role during the American post-WWII ‘leisure age’ as gin during the Industrial Revolution. First it might help to understand just what gin had to do with anything. (more…)

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Free Your Mind’s Work (But Will The Cash Follow?)

April 22nd, 2008 @ 3:41 am by gray

Steven Poole is one of many to engage in that promotion du jour, giving away a digital copy of a product—in his case, a book called Trigger Happy about the aesthetics of videogames, a topic which would naturally appeal to an online audience. Six months and 31,100 downloads later, he follows up the experiment with a compelling review of the state of media online and what the future may hold for various creators, notably musicians and writers.

His response is noteworthy for encapsulating many of the issues facing creators who wish (or face pressure) to distribute their works online, especially unfettered by Digital Rights Management (DRM) and preferably free. In the giveaway economy, as with the dotcom bubble before it, how exactly does that lead to sustainable income? Not all doom and gloom, Poole notes the promotional upsides in terms of wider distribution and thus ’seeding the market’ for possible hard-copy sales and future endeavors. However, the Paypal tip jar approach as attempted by many donation-supported software projects, Stephen King’s abortive The Plant, and Radiohead’s experiment with In Rainbows bears out the online form of tragedy of the commons where free access to a resource cannibalizes paid support for it. Without adequate volunteered funds as recompense, Poole summarizes the stark options remaining:

“If the breathless advocates of “the free distribution of ideas” are serious, they need either a) to come up with a realistic proposal as to how I am to keep feeding myself while giving the fruits of my labours away for free; or b) come out and say honestly that they don’t think any such thing as a “professional writer” ought to exist, and that I should just get a job like anyone else.”

He goes on to describe the common rejoinder (termed the “Slashdot argument”) that free content can be subsidized by correlative sales, like live shows, T-shirts, and service contracts. While his reaction to this position is somewhat kneejerk (essentially “you try working for free!”) it does underscore the difficult proposition facing anyone who sees the future purely as online free distribution: just how do you offset the production of an album, a book, a videogame if the audience demands that the primary work be free while you try to make up the difference in low attach-rate items like T-shirts and strategy guides? He also outlines the difficulty facing anyone trying to follow in the footsteps of the Radiohead and Nine Inch Nails offerings, namely that both earned their fanbase “through the nasty old music-industry business model” while the possibility of an unknown band reaping the same rewards still begs the question on opt-in payment. Plus, how many other bands will garner the same level of press coverage that in turn drives the traffic once the novelty wears off?

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‘Jericho’ May Return From the Ashes

April 7th, 2008 @ 7:12 pm by gray

Movie & TV News @ IMDb.com – Studio Briefing – 7 April 2008

“Jericho, the CBS television series that was canceled because of low ratings, then revived following protests from fans, then canceled again because of low ratings, may be revived a second time, the New York Times reported today (Monday). The newspaper said that CBS may follow NBC’s recent example with Friday Night Lights in which it sold the DirecTV satellite service the right to air the series before it goes on network TV. The Times said that CBS is considering a similar option in negotiations with cable provider Comcast. Meanwhile, although DirecTV executives have expressed confidence that the Friday Night Lights deal could drive new subscribers to their service, some analysts are expressing skepticism about its ability to do so and forecasting that the DirecTV episodes will wind up being pirated on the Internet.”

This sounds like Comcast would effectively underwrite the show’s production in return for first-run rights. The twice-over cancellation of Jericho is already a testament to the lag between current media trends and viewer metrics that in turn drive advertising buys. CBS cancelled after the promised 7 episodes of season 2, citing low ratings, while also noting high consumption via non-broadcast channels including DVRs and online streaming which are not factored into Nielsen shares. This plus the creative “Nuts!” campaign that led to the second season point to a dedicated, evangelistic audience as represented on fansites like Jericho Lives. It may be that Jericho would do better on a cable network in any event, with more targeted demographics, smaller share requirements, and potentially less network restrictions on story points.

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Ars Book Review: “Here Comes Everybody” by Clay Shirky

April 7th, 2008 @ 4:56 pm by gray

Subtitled “The power of boring technology,” referring to the tiered distribution of new technologies and how they achieve their greatest impact once they’ve passed from the ‘cool’ stage to ubiquity. Shirky argues that the current wave of communications technologies are working to flatten hierarchies, expand communities of interest, and re-cast the media divide from the prior broadcasting model.

Ars Book Review: “Here Comes Everybody” by Clay Shirky

The review is followed by an interview with Shirky, including more on the concept of the ‘Coasean floor’ and its intersection with ‘the Long Tail.’ I’m also heartened by the recognition of interdisciplinary study as a catalyst for creativity.

Harry Potter Week: A Primer

July 15th, 2007 @ 9:15 pm by gray

Today marks the beginning of the last week before the end of Harry Potter – as a series if not as a living character. In preparation I will of course have to re-read the preceding six books before Saturday’s release of Deathy Hallows, a practice previously reserved for getting through the Dune series (Heretics of Dune took several running starts to get through, with almost the entire population of familiar characters absent). I thought I would record my impressions of them as I do, and then make a final set of predictions before undertaking book 7 itself (as soon as K. finishes with her copy, of course).

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The New Machine Politics

June 26th, 2007 @ 4:42 pm by gray

Political coverage has been slow to grow on me. In the current media environment, though, it is pretty hard to escape. And one theme keeps occurring to me as I listen to stories on the umpteen presidential candidates, the daily do-nothing travails of Congress, or some new scandal of lobbyist influence – so many of the prevailing problems are endemic to the system itself, which reinforces all the behaviors we seem to complain about. The foremost mechanic at work in the system, of course, is the currency of favor. Money buys elections in both straightforward and underhanded ways, and the favor is returned. After all, the government is responsible to We The People it purports to serve at only irregular intervals – 4 or 6 years apart – whereas the drive for money for personal and professional gain is everpresent (does re-election fundraising ever really end?). So it only makes sense that the underlying business of government is to service its true constituencies in the form of corporate donors, private industries, and political patrons. To accomplish this, however, they need at least some cover for their activities to forestall a revolt at that 4 or 6 year interval, which comes in the form of political theater (wedge issues, ideologues, and non-binding resolutions) and is conveyed by the commercial press. How might we explain this improper relationship between the press and politics, previously one of debutante and chaperone, now increasingly a morally-bankrupt pas de deux?

In a timely selection, today’s St. Louis On The Air segment covered the intersection of politics and media. Missouri state Senator Jeff Smith spoke about the factors behind his own failed national campaign, many of which seemed to boil down to the circular, “I’d like to vote for you, but you won’t win.” He also recalled a recent address to the Missouri Scholars Academy, where of the 300-plus MSA attendees, many were following the presidential race – but while almost all knew the cost of John Edwards’ haircuts, only one was familiar with his health care proposal. The superficiality of modern political coverage is persistent – we see Obama in a swimsuit, Hillary Clinton spoofing the final Sopranos episode to pick a campaign song – creating a ‘celebrity politics.’ And The Daily Show’s Jon Stewart gets referred by a caller as a more reliable source for political news than CNN, MSNBC, or Fox News. This in turn recalled Jon Stewart’s interview with Bill Moyers, which dealt with the abdication of press responsibility in political oversight and the need for the satire of The Daily Show, as well as his now-infamous appearance on CNN Crossfire where he criticized the hosts for their ‘partisan hackery.’

The segment ended with a brief discussion of the Supreme Court ruling yesterday on a provision of the Feingold-McCain Bipartisan Campaign Reform Act, which said in part that “the restrictions on television advertisements paid for from corporate or union treasuries in the weeks before an election amounted to censorship of core political speech unless those advertisements explicitly urge a vote for or against a particular candidate.” The core precept of this, and indeed most conservative/liberal/Libertarian public opposition to campaign finance reform, is that Money Is Speech, and thus restricting money violates the First Amendment. The twin boomerang effects of the decision are that the Act was originally challenged by Wisconsin Right To Life specifically to punish Feingold for his role in blocking Bush’s judicial nominees, and that the decision will likely harm McCain’s own bid for the presidency by reminding conservatives (who resented the restriction) of his role in the original bill. Yet while this narrow ruling was made possible by the rightward slanting of the Court with the appointment of Roberts and Alito (who reversed Sandra Day O’Connor’s previous support for the provision), the three Justices Scalia, Kennedy, and Thomas refused to join Roberts’ majority fully because it did not overturn the campaign finance reform in its entirety.

In an even more bald-faced example of the entanglement of journalism and money, we have the New York Times portrayal yesterday of Rupert Murdoch’s recent bid for the Wall Street Journal in terms of personal power (subtly collected under the moniker “Murdochracy”). “His vast media holdings give him a gamut of tools — not just campaign contributions, but also jobs for former government officials and media exposure that promotes allies while attacking adversaries, sometimes viciously — all of which he has used to further his financial interests,” such as courting Trent Lott to reverse his position on TV market ownership to avoid disbursement of his Fox TV holdings. The enticement? A $250,000 book deal through his Harper-Collins imprint (a the memoir which went on to sell a miserable 12,000 copies). Similar book deals with Senators Arlen Specter and Kay Bailey Hutchinson gave him influence over three members of the Commerce and Judiciary Committees with jurisdiction over media policy. More chilling yet is a $1 million deal struck between Harper Collins and Supreme Court Justice Clarence Thomas. Murdoch also threatened former FCC chairman Reed Hundt with retribution in the private sector if Hundt were to remove any of Murdoch’s TV licenses as the result of an investigation into questionable acquisitions, saying he would not be able to “get a job as dog catcher” if crossed. All this on top of his transforming The New York Post into a self-serving right-wing tabloid, and establishing Fox News as his rejoinder to the perceived liberal bias in mainstream news, contribute to a portrait of Murdoch as ruthlessly committed to the expansion of his holdings by any means necessary and then leveraging his influence via that media to sell his agenda. Where else might that description prove apt? What stalwart member of the current administration would it not characterize?

Even the media feeding frenzy around someone whose name rhymes with Ferris Milton and their potential payment for an interview after their latest misdeeds reveals a clear pattern of a media system that rewards bad behavior. With reported interview deals up to $1 million, not to mention lucrative ‘tell-all’ book deals and made-for-TV rights, the road to riches for the least deserving, even the most reprehensible (cf. “If I Did It”), is well-paved. But while the case for mass media stooping to appeal to the lowest denominator for an audience and thus advertising dollars may be clear-cut, why would venerable news organization abrogate their own responsibility as watchdogs of government? First, perhaps because they are no longer much different from their entertainment-only brethren. CNN created the niche of a 24-hour, all-news format, which now they have to fill – that ticker doesn’t write itself. Competition from other networks and other media such as the Internet further put pressure on the news system to struggle for the sensational ’scoop,’ and leave boring analysis for the back pages of the Times or Wall Street Journal. Unless the WSJ gets bought out by Murdoch, of course, in which anything goes. And second, conflicts of interest are almost impossible to avoid with media ownership so consolidated, which raises the revenue demands of each and thus heightens the risk of economic damage from not playing the game (see also: the hollowing out of original content in the movie business, where sequels and based-on adaptations aim to provide the assurance of a built-in audience for the blockbuster-dependent studios). In the reverse example of Murdoch, speak too critically of a member of a powerful subcommittee, or even a political party, and you may find yourself on the wrong end of substantial FCC punitive fines (ironically established as an response to the ideological straw man of the “wardrobe malfunction” that so paralyzed our nation) or even lost licenses. The payola system works both ways, which makes all of the entangled parties more and more entrenched by the mechanics of the influence trade over time. And ultimately the system favors no party exclusively, only incumbents and those in a position to benefit from the largesse.

In recognition of this mounting challenges to governance, jurisprudence, and journalism, Lawrence Lessig has announced that he will be changing his focus from copyright issues to focus on this “corruption.” The continued popularity of The Daily Show’s irreverence and biting sarcasm show the growth of a new, more media-savvy generation. Knowing how to read behind the PR spin and party rhetoric, and past hot-button distractions, to the structure beneath the system of the political machine is the first step towards dismantling or altering it for the better. Noblesse oblige is dead; in a system of monied political capital, caveat emptor is the watchword now.

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Analyzing the Analysts

June 25th, 2007 @ 8:42 pm by gray

Read any IT trade journals or their online kin and you will be inundated with the work of analyst firms like Gartner Research and JupiterResearch. Their contributions typically appear as short, assured statements of relative technology maturity (“virtualization to rule server room by 2010“), often joined with fearless statistical predictions (“worldwide PC shipments to increase 10 percent“) and the ever-useful bar chart or line graph showing projected adoption curves. They serve as the stolid benchmark of IT punditry, like the AP and Reuters of tech opinion.

Their business model for providing these ubiquitous quotations and summary graphs works like supermarket free samples, gaining virtue by association through regular appearances in public media. This creates a virtuous cycle – a Gartner analyst gets quoted in article on trends in virtualization, which establishes their credential as someone reputable on the topic, which leads to more citations – which raises their brand equity, and in turn attributes apparent value and credibility to their for-profit proprietary reports sold to corporate subscribers. But is this reputation duly earned by the data itself? In the wider field of futurism, as in stock picking, the value of your product ought to be tied directly to your record. Yet as the Roman poet Juvenal asked, “Quis custodiet ipsos custodes?” – or in this case, “who analyzes the analysts?”

JupiterResearch bills itself as offering “unbiased research, analysis and advice, backed by proprietary data, to help companies profit from the impact of the Internet and emerging consumer technologies on their business.” Even putting aside for a moment the inherent potential for conflict of interest in data sold for profit contributing to research bias (where the Internet age has a particularly spotty record a la “study commissioned by Microsoft”), is there any body of objective research on the research conducted, particularly the type tied to adoption rates (such as Gartner’s ‘hype cycles,’ itself a provocative phrase of the primacy of hype in research results)? For all of the charts showing stratospheric take-up of 3G mobile phones, average size of Storage Area Networks, or even dead-and-back-again concepts like “push technology” with clean graphs showing extrapolated growth out 3 to 5 years, is there a corresponding set of data showing their hit rate in ‘guessing the market’?

While a common-sense rejoinder is that the market would inevitably correct if they were lousy prognosticators, in a media-saturated environment and consistently shortening time-spans for evaluation, I wonder if the market is so caught up in new predictions and short-term expectations to even pay heed to longer cycles of accuracy. And since prediction is more likely to bear out in the shortest term, you can look right on the 6-month field while failing miserably at the 3-year mark, without possibly being caught out for it. Even in market analysis, which would seem by its very nature to live and die by Darwinian selection of the best guessers, the prevalence of puffed predictions without corresponding punishment raises the same concern. For example, TheStreet’s speculation today that Apple’s iPhone could net the company $216 million come Friday based on simple extrapolation (1962 potential store outlets x 200 phones in inventory x 100% sell-through = 392,000 iPhones x $550 average price = $216 million revenue) hardly seems like deep insight, yet come Saturday morning, what downside is there to guessing wrong? (Other than for Apple’s stock valuation, which has already lost over $4 billion in an afternoon over Engadget’s irresponsible posting of a fraudulent notice that the iPhone would be delayed a few months.) TheStreet got pageviews, and thus ad revenue for making the quotable claim. On Saturday (or whenever Apple releases official first-day sales), they have a built-in story regardless of how the launch goes. This McLuhan-esque play on meaning becoming secondary to the news cycle has ramifications for all news reporting in modern media, with particular effects already seen in law, politics, public policy, and the shape of entertainment.

Meanwhile, if a watchdog on the players in ‘unbiased research for sale’ does not yet exist, it certainly seems a valuable role to fill in media accuracy, just as CharityNavigator has added some rigor to evaluating the efficiency of non-profit organizations.

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